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Episode 122Dolby Creator Talks

Daniels and the Music of Everything Everywhere All at Once

April 21, 2022
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Joining us again are directors Daniel Kwan and Daniel Scheinert (known collectively as "Daniels"), as well as the film's sound designer and sound effects editor, Andrew Twite, and the re-recording mixer and sound supervisor, Brent Kiser.

Today we're devoting the entire episode to the music of "Everything Everywhere All at Once" because it was such an intensive process. So much so that the composers, the indie band Son Lux (comprised of members Ryan Lott, Ian Chang, and Rafiq Bhatia) spent an unusually long time working very, very closely with the filmmakers on this project:

If that sounds like a lot, that's because it was. As part of this episode, we also speak with Ryan Lott, the founding member of Son Lux, to describe his journey working on this film and all its many parts, including crafting different musical styles for each multiverse, collaborating (and singing a duet!) with Randy Newman, as well as discovering the artistic potential of working in Dolby Atmos®.

They came on before we started photography. They helped us write some songs that needed to be on camera. Like the fake musical and stuff. They gave us their entire library of all their personal projects, as well as all their records [and] instrumental versions. And we cut the whole movie to their music. And then they were on during the whole edit, working on the score. So they were part of the project for over two years and created over two hours of original music.

Daniel Scheinert, co-director, co-writer, and co-producer, "Everything Everywhere All at Once"

  • Be sure to check out "Everything Everywhere All at Once" at a cinema near you, now playing in Dolby Atmos®, where available.
  • Many thanks to our friends at A24 for helping us pull this conversation together!
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Previous: jeen-yuhs: A Kanye Trilogy 20 Years in the MakingNext: Daniels and the Sound of Everything Everywhere All at Once
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