Entertainment
  • Explore Entertainment
  • Auto
  • Music
  • Mobile & UGC
  • Movies & TV
  • Cinema
  • Gaming
Cloud
  • Cloud Solutions
  • Optiview
  • Resources
Patent Licensing
  • Explore Patent Licensing
Innovation
  • Explore Innovation
  • Audio Experiences
  • Visual Experiences
  • Multisensory Experiences
  • Empowering Experiences
Professional
  • Explore Professional
  • Create in Dolby Vision
  • Create in Dolby Atmos
  • Dolby Cinema Solutions
  • Broadcast & Streaming
  • Dolby Creator Community
Creator Lab
  • Explore Creator Lab
  • Music Accelerator
  • Creator Talks Podcast
  • Education
Vision & Atmos
  • Dolby Vision & Dolby Atmos
  • Explore Dolby Vision
  • Explore Dolby Atmos
Partners
Support
  • General Support
  • Professional Support
  • Customer Support
  • Contact Us
  • Entertainment
    • Explore Entertainment
    • Auto
    • Music
    • Mobile & UGC
    • Movies & TV
    • Cinema
    • Gaming
  • Cloud
    • Cloud Solutions
    • Optiview
    • Resources
  • Patent Licensing
    • Explore Patent Licensing
  • Innovation
    • Explore Innovation
    • Audio Experiences
    • Visual Experiences
    • Multisensory Experiences
    • Empowering Experiences
  • Professional
    • Explore Professional
    • Create in Dolby Vision
    • Create in Dolby Atmos
    • Dolby Cinema Solutions
    • Broadcast & Streaming
    • Dolby Creator Community
  • Creator Lab
    • Explore Creator Lab
    • Music Accelerator
    • Creator Talks Podcast
    • Education
  • Vision & Atmos
    • Dolby Vision & Dolby Atmos
    • Explore Dolby Vision
    • Explore Dolby Atmos
  • Partners
  • Support
    • General Support
    • Professional Support
    • Customer Support
    • Contact Us
Episode 173Dolby Creator Talks

Director Jonathan Glazer and the Sound of The Zone of Interest

December 16, 2023
Listen to the episode

Academy Award®-nominated director Jonathan Glazer joins us to discuss his latest film, 2024 Best Picture nominee “The Zone of Interest,” a searing drama about life just outside of the infamous Auschwitz concentration camp, which the director chose to have the audience hear, rather than see.

Joining the discussion is producer James Wilson, as well as Johnnie Burn, the film’s sound designer, supervising sound editor, and re-recording mixer, whose work on this film also received a 2024 Academy Award nomination in the Sound category.

This conversation was recorded as a live panel discussion after a screening of the film at the New York Film Festival and was part of our support of the FLC Artist Academy program, where we bring conversations about the art and craft of filmmaking to the next generation of directors:

The atrocities that are being committed in the camps — and the images that we already know in our minds, from all of the documentaries and books and fiction films and so on… I had absolutely no interest in reenacting any of them… But at the same time, they were out of sight, they needed to never be out of mind. So what I was serving in my script was how those sounds could come across the wall and permeate every frame of the film, bare down on this mundanity that we're witnessing day to day. And it sort of felt like that was the second film we were making. We always talked about there are two films: the one you see and the one you hear. And I think in many ways, the one you hear was the most important one to me.

Jonathan Glazer, Director, “The Zone of Interest”

  • https://www.filmlinc.org/academy-programs/artists-academy/
  • check out “The Zone of Interest,” now in theaters
Open on YouTube
Previous: The Music of The Color PurpleNext: The Making of Society of the Snow
Back to podcasts
Creator Lab

No social links configured.

Copyright Dolby 2026

Partnership Inquiry
United States
United StatesUnited KingdomEspañaFranceDeutschlandIndia中国日本대한민국Brasil