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エピソード 258Dolby Creator Talks

The Sound and Cinematography of Adolescence

2025年8月14日
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Emmy Award®-nominated Director Philip Barantini and fellow nominees — including cinematographer Matthew Lewis and the sound team of James Drake, Jules Woods, Rob Entwistle, and Kiff McManus — join us this week to discuss the making of “Adolescence,” Netflix’s hit limited series. Nominated for thirteen Primetime Emmy Awards, including Outstanding Limited or Anthology Series, the show’s four episodes were each filmed as single, continuous takes, creating a gripping real-time experience for viewers — and offering some unexpected advantages for the filmmakers.

Joining today’s conversation:

For Netflix, it was very different for them because… they're very limited in what notes you can give. You can't say, ‘I think that scene needs to move to a different location’ or whatever. It's literally got to be performance notes… And so, they were fantastic. Netflix were just amazing, really, really amazing partners.

Philip Barantini, Director, Executive Producer, “Adolescence”

  • check out “Adolescence,” now streaming on Netflix, in Dolby Vision® and Dolby Atmos®
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前のエピソード: Creative Sound Design for Short Films, from Aspen Shortsfest 2025次のエピソード: The Music of The Fantastic Four: First Steps
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